Call Number
Material Type
Corning - Southeast Steuben County Library 1 MYSTERY Adult Fiction Book
Dundee Library 1 FIC O Adult Fiction Book
Friendship Free Library 1 FIC Adult Fiction Book
Rushford Free Library 1 FIC O Adult Fiction Book
Wellsville - David A. Howe Public Library 1 STACKS MYS Adult Fiction Book

On Order


Author Notes

Author Carol O'Connell was born in 1947. She attended the California Institute or Arts/Chouinard and Arizona State University, where she studied art. Before becoming a full-time writer, she worked as a freelance proofreader and copy editor as well as occasionally selling her paintings. At the age of 46, she wrote the first book in the Kathleen Mallory series and sold it to a British publisher. Her title The Chalk Girl made The New York Times Best Seller List for 2012.

(Bowker Author Biography)

Reviews 3

Booklist Review

Readers, beware! That sly (and oh so gifted) Carol O'Connell is just as cunning as her beautiful, near-sociopathic heroine, Kathy Mallory, creeping up on unsuspecting readers with softly caressing words and languidly flowing sentences, then sucker-punching them with shockingly explicit violence that's as vivid as it is grisly. In her third and most stunning book, O'Connell follows NYPD investigator Mallory, who, with the aid of old pals Riker, Coffey, and, of course, faithful admirer Charles Butler, is determined to solve the brutal "art as death" murder of an untalented but highly touted artist-critic. Mallory believes the case is the work of the same killer who, 12 years earlier, hacked a young artist and a talented ballerina to pieces. The case is as baffling and intricate as any Mallory has faced, with art critics, bag ladies, madmen, and mafioso playing key roles. Despite warnings from her superiors to butt out and back off, she persists and single-handedly solves the case. But as mesmerizing as the murder case is, it's heartless, soulless Mallory herself--computer genius, street fighter, provocative waif, peerless investigator, manipulative beauty---who's absolutely the star of this brilliant thriller. O'Connell's well-nigh flawless plotting and incandescent writing play important supporting roles, and the heart-stopping, devastating ending is worth a thousand curtain calls. Another triumph for this truly gifted writer! (Reviewed March 1, 1996)0399141685Emily Melton

Publisher's Weekly Review

O'Connell's driven and sharp-edged NYPD detective Kathleen Mallory revisits a 12-year-old double murder case first investigated by her beloved adoptive father, whose death was central to her notable debut in Mallory's Oracle (1994). The murder of a second-rate performance artist in mid-performance has many associations to the earlier, grisly and still unsolved homicides, which also touched the art world. Many of the same characters are involved in both killings: J.L. Quinn, the elegantly icy critic whose niece was one of the first victims; Avril Koozeman, whose galleries were murder scenes then and now; and Emma Sue Halloran, once a critic, now a culturecrat who forces hideous art into new buildings. Mallory and her partner, Sergeant Riker, must find keys to the new killing by prying memories from these witnesses. Hampering their efforts is the desire of the police brass to keep the old case closed. O'Connell's narrative force and character development are irresistible. Although the intense and private Mallory offers little to love until late in the story, her fierce determination draws the reader into her quest. Wacky artsy types and a flawed but sympathetic Riker leaven the heavy dose of misanthropy. O'Connell also delivers a cynical, funny lesson in art marketing, which sounds here less like culture than a pretentious pyramid scheme. 50,000 first printing; major ad/promo; author tour. (June) (c) Copyright PWxyz, LLC. All rights reserved

Library Journal Review

It's a bit awkward to face reviewing something entitled Killing Critics, but the critics in question here review art, not audiobooks. O'Connell's wicked send-up of the trendy art world begins with a murder in a gallery, which is mistaken for performance art. Is this case related to the grisly murder of another artist and a dancer 12 years earlier? Kathleen Mallory, last seen in O'Connell's acclaimed Mallory's Oracle (Putnam, 1994), thinks so. Noteworthy characters include a self-proclaimed "fashion terrorist" who barricades himself on Bloomingdale's roof, hurling insults at poorly dressed passersby through a bullhorn. Narrator Laural Merlington does a good job of managing the accents of the various characters, although her dialects sometimes fade. That is understandable, however, in light of the rapid-fire dialog. This recording will be welcomed in any public library.‘Reilly Reagan, Putnam Cty. Lib., Cookeville, Tenn. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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