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NEW YORK TIMES BESTSELLER * A standalone thriller featuring a "tough-talking, scarred heroine"* from the author of the Temperance Brennan series, the basis for the hit TV show Bones .

Meet Sunday Night, a woman with physical and psychological scars, and a killer instinct. . . .

Sunnie has spent years running from her past, burying secrets and building a life in which she needs no one and feels nothing. But a girl has gone missing, lost in the chaos of a bomb explosion, and the family needs Sunnie's help. Is the girl dead? Did someone take her? If she is out there, why doesn't she want to be found?

It's time for Sunnie to face her own demons--because they just might lead her to the truth about what really happened all those years ago.

* Publishers Weekly

Praise for Two Nights

"Reichs' newest heroine, the polar opposite of cerebral Temperance Brennan, is fueled by a well-nigh uncontrollable rage in her thrilling, violent search for a missing girl so much like herself." -- Kirkus Reviews

"Brennan fans should appreciate Sunday [Night] . . . the star of this fast-paced series launch from bestseller Reichs. [The finale] seems designed for the big screen." -- Publishers Weekly

"The writing is crisp and vivid. . . . The story is cleverly plotted. . . . Reichs' legion of fans should be encouraged to check out this one." -- Booklist

Praise for Kathy Reichs

"I love Kathy Reichs--always scary, always suspenseful, and I always learn something." --Lee Child

"Kathy Reichs continues to be one of the most distinctive and talented writers in the genre. Her legion of readers worldwide will agree with me when I declare that the more books she writes, the more enthusiastic fans she'll garner." --Sandra Brown

"Nobody does forensics thrillers like Kathy Reichs. She's the real deal." --David Baldacci

"Kathy Reichs writes smart--no, make that brilliant--mysteries." --James Patterson

"Reichs, a forensic anthropologist, makes her crime novels intriguingly realistic." --Entertainment Weekly

Author Notes

Kathy Reichs was born in Chicago, Illinois on July 7, 1948. She received a BA in anthropology from American University in 1971, a MA in physical anthropology from Northwestern University in 1972, and a Ph.D. in physical anthropology from Northwestern University in 1975.

She works as a forensic anthropologist for the Office of the Chief Medical Examiner, State of North Carolina and for the Laboratoire des Sciences Judiciaires et de Médecine Légale in Quebec. She has taught at Northern Illinois University, University of Pittsburgh, Concordia University, McGill University, and the University of North Carolina at Charlotte. Her work as a forensic anthropologist is internationally recognized; she has traveled to Rwanda to testify at the UN Tribunal on Genocide, helped in an exhumation in the area of the highlands of southwest Guatemala, and done forensic work at Ground Zero in New York.

In addition to her published academic papers and books, Reichs has written numerous works of crime fiction including Temperance Brennan series. Déjà Dead won the 1997 Arthur Ellis Award for Best First Novel. She is a producer on the Fox television series Bones, which is loosely based on her own forensic career and writing. In 2015, she won the Silver Bullet Literary Award.

(Bowker Author Biography)

Reviews 2

Booklist Review

Here's a stand-alone novel by the author of the Temperance Brennan mysteries. Sunday Sunnie Night is a former cop living in the Charleston, South Carolina, area. When a friend asks her to look into the year-old disappearance of a 15-year-old girl, Sunnie hesitates. But when she learns that the missing girl's family was murdered and that their killer has never been found, her sense of outrage won't let her stay away. Soon she's in Chicago, where the tragedy occurred, trying to turn a cold case hot again. Sunday Night is a different character from Tempe Brennan; she's a wisecracker, she's sarcastic, she's secretive about her past. On the other hand, she shares Brennan's hard-edged approach to people who get in her way and her strength of conviction. The story is cleverly plotted (Reichs has always had a knack for building good plots), and the writing is crisp and vivid, as though telling a fresh story about a new character has energized the author. Reichs' legion of fans should be encouraged to check out this one.--Pitt, David Copyright 2017 Booklist

Publisher's Weekly Review

Sunday Night, the star of this fast-paced series launch from bestseller Reichs (Speaking in Bones and 17 other Temperance Brennan forensic thrillers), retreats to isolated Goat Island near Charleston, S.C., after an injury ends her police career. As a child, she barely escaped from a cult that claimed her mother's life. Concerned about her well-being, her former foster father, cop Perry "Beau" Beaumonde, entices her out of seclusion by asking her to look for a teenage girl whose wealthy grandmother believes she was kidnapped by a cult. Sunday enlists her twin brother, August ("Gus"), in a search that leads to Chicago, Los Angeles, and Washington, D.C., in pursuit of homegrown terrorists. Reichs sacrifices character development for unrelenting action, but Brennan fans should appreciate Sunday-a self-sufficient, tough-talking, scarred heroine-and the unquestioningly loyal, quietly lethal Gus. An explosive finale at the Kentucky Derby seems designed for the big screen. Agent: Jennifer Rudolph-Walsh, William Morris Endeavor. (July) © Copyright PWxyz, LLC. All rights reserved.



Two Nights CHAPTER 1 My right-hand neighbor thinks I'm crazy, so she brings me cheese. I heard the one-two crunch of her boots on the path. A pause, then the oyster shells crunched again. I lifted a corner of the towel covering my kitchen window. She was already five yards off, a shadow-laced smudge among the live oaks. Six years, and I still didn't know her name. Didn't want to. Had no desire to exchange recipes or comments on the tides. I cracked the door, snagged the plastic-wrapped package, and shoved it into the fridge. Truth is, I don't mind the cheese. What I hate are the sharp little eyes plumbing my soul. That and the pity. And the goats. When the wind is right, the bleating bullies into my dreams and I'm back in Helmand with the blood and the dust. Or maybe I'm reading the old gal wrong. Maybe the cheese is a bribe so I don't murder Billie or Nanny. My left-hand neighbor hanged himself from the end of his pier. His dog curled up and died by his head. Double suicide. Maggot jamboree by the time the bodies were found. Arthur was a wood-carver, Prince a collie. I prefer their silent company. Fits my two-pronged plan for life. Need no one. Feel nothing. I ran six miles and put in time with my free weights. A beer and a sandwich for lunch, then I spent the afternoon shooting Cheerwine cans off a dune at Gray Bay. The beach was deserted and not far away. Nothing is. Goat Island is a skinny strip of sand just a monkey's spit wide, uninhabited until Henry and Blanche Holloway rowed over to escape the stresses of 1930s Charleston. Legend has it they spent decades in a hole covered with driftwood and palm fronds. Now that sounds warp-speed psycho to me. But Henry and Blanche had one thing right. For solitude, Goat Island is the cat's meow. Even today there's no ferry, no paved road, ergo no cars or trucks. No access except by private boat. Outsiders rarely find reason to come. The few scrappy residents live in cottages cobbled together from wreckage ignored or tossed ashore by Hurricane Hugo. My porch roof is the ass end of a disemboweled rowboat. Goat Lady's shed started life as Arthur's latrine. Don't get me wrong. I don't live hole-in-the-ground au naturel batty. I've got electricity, a septic tank. All the advantages. The downside to Goat is the spring mosquitoes, some large enough to carry off St. Bernards. By six the bloodsuckers were organizing into squadrons, preparing to strike. Over and out for moi. I was home rubbing aloe on bites when the bell above the stove jangled its jerry-rigged warning. The moths did their frenzied dance in my chest. I dug the shotgun from my duffel, thumbed shells into the chamber, and crept to a window. The sun was low, flaming the waterway orange and making me squint. Far below, a figure crouched on my dock, securing lines. Both human and boat were featureless black cutouts against the tangerine glow. My grip tightened on the stock, ready to pump. The figure straightened and headed my way. Male. Barrel-chested. Not big, but muscular in a scrawny-arms-and-legs way. I recognized the confident drill-sergeant stride. The contour of the ragged Tilley hat. Not vintage, just old. Shit! I snapped into action. Ammo out and into the duffel, guns into the closet. Liquor bottles, glasses, and dirty dishes under the sink. Yesterday's clothes and flip-flops heave-ho into the bedroom. His knock was hard enough to rattle the screen in its jamb. One last look around, then I hurried to undo the inner door locks. Two, then the deadbolt. He stood with hands on hips, looking left toward the marsh. His eyes were blue, his face weathered as the month of March. "What's wrong?" Mouth dry. No one ever came uninvited. No one ever came. "Something's gotta be wrong for me to drop by?" Gravelly. Gruff. "Of course not." Plastic smile molding my face. "You usually give a heads-up." "How? Send a pigeon?" I said nothing. "You gonna leave me out here till I need a transfusion?" I lifted the hook and stepped back. Beau entered, gaze skimming. A cop gaze. One spin around the cottage, then it settled on me, running the same critique I resent in my neighbor. The scar burned an itchy path below my right eye. "I didn't recognize the boat." Concentrating on normal. "Getting the gel coat repaired. But what? You were maybe expecting Bowie?" "He died." "Yeah?" "Yeah." "Gonna offer a man a beer?" I got two Palmetto Ambers from the fridge and we moved to the living room, a small hexagon accessed through a wood-trimmed arch. Ceiling fan, sofa, two threadbare chairs, three beat-to-hell tables. No need for décor. Only Beau and one other were allowed in my home. Beau dropped onto the sofa, sloughed off the hat, and took a long pull of his beer. His hair was gray and buzzed to the scalp. Had been since I'd known him. Probably since his mama first shaved it with clippers at a kitchen chair. I sat opposite, knees jutting, feet under my bum. The five-window view wrapped us like an IMAX featuring the Atlantic seaboard. A picture formed in my head. Beau with a younger man's face. Hiding his frustration, his pride. Not pleading, but close. Asking a fellow cop to give his foster kid yet another break. Red-blue pulsing his badge and the honky-tonk shack at his back. Beau raised his right ankle to his left knee. Cleared his throat. Levered the foot up and down several times. "Had an interesting call today." Eyes on a Top-Sider as old as the hat. "Lady name of Opaline Drucker." That triggered a ping in some remote brain chip. "Who is she?" "I'll leave the telling of that for after." "After what?" "Hearing me out." Tone a million miles from drop-by casual. "Mrs. Drucker has a problem. I think you can help her." "Why would I want to do that?" Beau took another swig, then set the bottle on the floor. Uncrossing his legs, he leaned forward and looked me full in the eye. "You're in a bad place, Sunnie." "I'm happy as a clam out here." Arms uplifted to emphasize the level of my joy. "We both know that's not what I mean." "What do you mean?" "Look, I get it. You overreacted, you killed the bastard." "PSO ruled it a justified shoot." Curt. The incident was the final straw for the Professional Standards Office, Charleston PD's version of internal affairs. The end of my career in law enforcement. And ancient history. "Damn straight it was." Beau flicked dirt from jeans too faded to qualify as blue. Maybe a bug. "The scumbag nearly took out your eye." "No way I'd ride a desk." Cheeks burning. "Hell no. I'd have quit, too." "You here to remind me what a loser I am? First the Corps, then the job? News flash. I already know." Meaner than I intended. Or not. "Knock it off." "Get to the point." "It's been six years." "Ah. You've come to enforce some kind of self-pity statute." Arm-wrapping my chest and tucking my hands into my pits. "Oh, wait. You're off the force, too." Beau breathed deeply. Exhaled through his nose. Chose his words. "You can't hide on this island, talking to no one, doing God knows what to yourself." "Yes. I can." "You've withdrawn from the whole goddamned human race." "I have a bestie that lives in my bedside table. Want to meet him?" "See. There you go. The least little pressure and out come the jokes." "I have you." "I'm about all you have." "And you think I'm nuts." God knows I did. "Of course you're not nuts." Frustrated, trying for patient. "But you can't just sit out here doing nothing." "I run, I shoot, I fish, I read." Gut rolled tight as an armadillo under threat. "It's not normal." "I've tried normal. Too many rules. Too much constraint." Too much rage? I'm a big girl. I can own it now. "Why are you so goddamned stubborn?" "It's a gift." I detest explaining myself. To Beau. To the therapists with their gentle eyes and nonprobing questions that probe. To anyone. I changed the subject. "What's this got to do with Orphaline Drucker?" "Opaline. I think helping her could benefit you." "Wow. I'm your new project." Beau ignored that. "Drucker's granddaughter's been missing for over a year." "Kids run off. They're famous for it." I knocked back some beer. "She was only fifteen." A beat, then, "Opaline thinks she's been grabbed by a cult." Unbidden, another cerebral barrage. I sent the images to the place where I keep them all buried. A full minute. Then I said, "Let me get this straight. I'm to be this kid's savior because I need saving?" "Something like that." Beau's eyes were now blue-laser-focused on mine. I stared back, every neuron in my brain ordering retreat. Still, I bit. "Where's she being held?" "No one knows." Silence on our side of the window screens. On the other, animated gull conversation about crabs or fish. Maybe trash. "I don't know shit about finding MPs," I said. "You were SERE." Beau used the military acronym for Survival, Evasion, Resistance, and Escape. "That's different." It was. But I got his point. "And how was it you were chosen to teach those courses?" "Lottery?" "Right. And the other intel 'duties' we don't talk about?" Air-hooking quotes around the purposely vague noun. I took another swallow. The curtains lifted on a breeze smelling of salt and pluff mud. The room crept a few nanometers from orange toward amber. Other memories bubbled up. Uneaten bologna sandwiches, blown-off guitar lessons, a lipstick-ravaged wall, once painted pink to please a teenage girl. Beau tried hard the three short years that he had me. Never got a thank-you from his surly, copper-haired ward. "Talk about the kid." I broke the silence. "Better you get the facts direct from Opaline." "A face-to-face meet?" Blood pulsing in the little shallow beside my collarbone. "You can use my car." Taking my silence as consent, Beau pushed to his feet and handed me a blue-lined page ripped from a spiral notebook. Eyes pointed elsewhere, I flipped it onto the table beside me. When Beau was gone, I tossed the paper into the wastebasket by my bathroom sink. An icy shower, then I armed the security system, checked for creatures outside my windows, and hit the rack. Sleep was evasive, which is normal for me. But this was different. I've spent so long trying not to think about the past, about those two nights, that my insomniac mind tends to focus on the present. Buy butter. Clean the guns. Change the porch bulb. That night I was visited by a million ghosts. Experts say it's healing to contemplate loss. To talk about it. Bullshit. Revisiting the past makes me nauseous and costs me rest. After hours of futile twisting in sweat-damp sheets, I got up, padded to the bathroom, and dug Beau's paper from among the jumble of tissues, Q-tips, and wadded-up hair. A glance at the scrawled address, then I crumpled and returned the page to the discards of my daily toilette. The living room was dancing with shadows and still as a tomb. I settled on the couch and lowered my lids. Like five black eyes, the hexagon windows watched me force my mind blank. Excerpted from Two Nights by Kathy Reichs All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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